A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 401
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
Pagina 401
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
... Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal relation . 2. The antinomy of Distance . 3. The variability of Distance . 4. Distance as the psychological ...
Pagina 410
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the ...
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole