A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 419
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Other- wise Greek Art , even of a religious type , is remarkable ...
... Greek dramatic practice appears to have aimed , for similar purposes and in marked contrast to our stage - habits , at an increase rather than at a decrease of Distance . Other- wise Greek Art , even of a religious type , is remarkable ...
Pagina 421
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
Pagina 421
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words