A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 259
... Gurney , are far beside the point . " In seeing what an uninteresting and inconsecutive jumble this really respectable piece of criticism looks , " Gurney remarks , " . we see how impossible it would be for a musician deliberately to ...
... Gurney , are far beside the point . " In seeing what an uninteresting and inconsecutive jumble this really respectable piece of criticism looks , " Gurney remarks , " . we see how impossible it would be for a musician deliberately to ...
Pagina 264
An Anthology Melvin Miller Rader. Some persons ( Gurney continues ) who may deny that music should evoke a specifiable emotion hold that it should ( or does ) evoke a general mood , a Gemütsstimmung . To this Gurney raises two objections ...
An Anthology Melvin Miller Rader. Some persons ( Gurney continues ) who may deny that music should evoke a specifiable emotion hold that it should ( or does ) evoke a general mood , a Gemütsstimmung . To this Gurney raises two objections ...
Pagina 276
... Gurney , " No matter what features we may decide upon as being connected with expressiveness , there are many musical selections which will not exhibit those features and which we yet perceive as impressive or beautiful . " Or again ...
... Gurney , " No matter what features we may decide upon as being connected with expressiveness , there are many musical selections which will not exhibit those features and which we yet perceive as impressive or beautiful . " Or again ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words