A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina v
... I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of the Kenyon Review ...
... I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of the Kenyon Review ...
Pagina 283
An Anthology Melvin Miller Rader. I. A. RICHARDS 1 SCIENCE AND POETRY 1 The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay ...
An Anthology Melvin Miller Rader. I. A. RICHARDS 1 SCIENCE AND POETRY 1 The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay ...
Pagina 587
... Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. , " A Critique of I. A. Richards ' Theory of Language and Literature , " A Theory of Meaning Analyzed , General Semantics Monographs , No. 3 , Chicago ...
... Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. , " A Critique of I. A. Richards ' Theory of Language and Literature , " A Theory of Meaning Analyzed , General Semantics Monographs , No. 3 , Chicago ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words