A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 6
... ROGER FRY ( 1866-1934 ) , the famous English critic , has been similarly concerned with the relation of imagination to the real world . Every man , he believes , lives a kind of double life : an " actual life " determined by practical ...
... ROGER FRY ( 1866-1934 ) , the famous English critic , has been similarly concerned with the relation of imagination to the real world . Every man , he believes , lives a kind of double life : an " actual life " determined by practical ...
Pagina 312
... Roger Fry . ' Bell agrees with Tolstoy that art is the language of emo- tions , but he thinks that there is a peculiarly esthetic emo- tion , quite different from the emotions of ordinary life , that is directed to " significant form ...
... Roger Fry . ' Bell agrees with Tolstoy that art is the language of emo- tions , but he thinks that there is a peculiarly esthetic emo- tion , quite different from the emotions of ordinary life , that is directed to " significant form ...
Pagina 588
... Roger Fry , " Art and Education , Merion , Pa . , 1929 . Burke , Kenneth , Counter - Statement , New York , 1931 . The Philosophy of Literary Form , Baton Rouge , 1941 . Carpenter , Rhys , The Esthetic Basis of Greek Art of the 5th and ...
... Roger Fry , " Art and Education , Merion , Pa . , 1929 . Burke , Kenneth , Counter - Statement , New York , 1931 . The Philosophy of Literary Form , Baton Rouge , 1941 . Carpenter , Rhys , The Esthetic Basis of Greek Art of the 5th and ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words