A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 265
... Vernon Lee reports of the associ- ative type that the answers , " often covering many pages , showed that according to individual cases the ' message ' was principally . . . visual or emotional , abstract or personal , but with many ...
... Vernon Lee reports of the associ- ative type that the answers , " often covering many pages , showed that according to individual cases the ' message ' was principally . . . visual or emotional , abstract or personal , but with many ...
Pagina 384
... VERNON LEE ( 1856-1935 ) . She independently formulated a theory similar to that of Lipps . Lipps ' Raumaesthetik , which contained the first exposition of his theory of empathy , was published in 2 Worringer , Form in Gothic , G. P. ...
... VERNON LEE ( 1856-1935 ) . She independently formulated a theory similar to that of Lipps . Lipps ' Raumaesthetik , which contained the first exposition of his theory of empathy , was published in 2 Worringer , Form in Gothic , G. P. ...
Pagina 460
An Anthology Melvin Miller Rader. VERNON LEE EMPATHY The mountain rises . What do we mean when we em- ploy this form of words ? Some mountains , we are told , have originated in an upheaval ... Vernon Lee: Empathy? From The Beautiful 460.
An Anthology Melvin Miller Rader. VERNON LEE EMPATHY The mountain rises . What do we mean when we em- ploy this form of words ? Some mountains , we are told , have originated in an upheaval ... Vernon Lee: Empathy? From The Beautiful 460.
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words