Dall'interno del libro
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Pagina ix
Wilhelm Worringer: ^Abstraction and Empathy. From ' ; f Abstraktion und
Einfiihlung (Translated by Bernard Freyd and Melvin Rader) 443 5. Vernon Lee:
Empathy? From The Beautiful 460 VIII. Criticism 466 . 1. Theodore Meyer Greene
: The ...
Wilhelm Worringer: ^Abstraction and Empathy. From ' ; f Abstraktion und
Einfiihlung (Translated by Bernard Freyd and Melvin Rader) 443 5. Vernon Lee:
Empathy? From The Beautiful 460 VIII. Criticism 466 . 1. Theodore Meyer Greene
: The ...
Pagina 383
... formulated by WILHELM WORRINGER (1881- ), an important German art
historian. Worringer takes as his point of departure the contrast between "
abstraction" and "empathy." First fully described by Theodor Lipps (1851-1914),
empathy ...
... formulated by WILHELM WORRINGER (1881- ), an important German art
historian. Worringer takes as his point of departure the contrast between "
abstraction" and "empathy." First fully described by Theodor Lipps (1851-1914),
empathy ...
Pagina 447
... not agree with Riegl in all points, he stands on the same ground so far" as the
method of investigation is concerned, and owes to him the greatest stimulation. 4
Cf. Heinrich Wolfflin: "To deny a technical origin of WILHELM WORRINGER 447.
... not agree with Riegl in all points, he stands on the same ground so far" as the
method of investigation is concerned, and owes to him the greatest stimulation. 4
Cf. Heinrich Wolfflin: "To deny a technical origin of WILHELM WORRINGER 447.
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abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words