A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 254
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
Pagina 313
... abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his discussion is of consider- able interest , I quote at some length : " I am persuaded that people can ...
... abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his discussion is of consider- able interest , I quote at some length : " I am persuaded that people can ...
Pagina 323
... abstract . But if a representative form has value , it is as form , not as representation . The repre- sentative element in a work of art may or may not be harmful ; always it is irrelevant . For , to appreciate a work of art we need ...
... abstract . But if a representative form has value , it is as form , not as representation . The repre- sentative element in a work of art may or may not be harmful ; always it is irrelevant . For , to appreciate a work of art we need ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words