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Pagina 66
In short , esthetic cannot be sharply marked off from intellectual experience since
the latter must bear an esthetic stamp to be itself complete . The same statement
holds good of a course of action that is dominantly practical , that is , one that ...
In short , esthetic cannot be sharply marked off from intellectual experience since
the latter must bear an esthetic stamp to be itself complete . The same statement
holds good of a course of action that is dominantly practical , that is , one that ...
Pagina 107
And what is the value of this general action if it be not an action of the spirit of the
author ? The secular disputes concerning dramatic unity are interesting in this
connection ; they are first applied to the unity of “ action ” when they have been ...
And what is the value of this general action if it be not an action of the spirit of the
author ? The secular disputes concerning dramatic unity are interesting in this
connection ; they are first applied to the unity of “ action ” when they have been ...
Pagina 348
all of this kind that is in the poem ; for in forgetting the words you must have lost
innumerable details of the action and the characters . And , when the question of
value is raised , I must insist that the action and characters , as you conceive
them ...
all of this kind that is in the poem ; for in forgetting the words you must have lost
innumerable details of the action and the characters . And , when the question of
value is raised , I must insist that the action and characters , as you conceive
them ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |