A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 66
... action that is dominantly practical , that is , one that consists of overt doings . It is possible to be efficient in action and yet not have a conscious experience . The activity is too automatic to permit of a sense of what it is ...
... action that is dominantly practical , that is , one that consists of overt doings . It is possible to be efficient in action and yet not have a conscious experience . The activity is too automatic to permit of a sense of what it is ...
Pagina 107
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
Pagina 348
... action and the characters . And , when the question of value is raised , I must insist that the action and characters , as you conceive them , are not in Hamlet at all . If they are , point them out . You cannot do it . What you find at ...
... action and the characters . And , when the question of value is raised , I must insist that the action and characters , as you conceive them , are not in Hamlet at all . If they are , point them out . You cannot do it . What you find at ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole