A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 90
... Activity ( a ) “ Economics , ” the pursuit of individual ends . Value : the useful ; disvalue , the harmful . ( b ) Ethics , the pursuit of universal ends . Value : the morally good ; disvalue , the mor- ally evil . These divisions are ...
... Activity ( a ) “ Economics , ” the pursuit of individual ends . Value : the useful ; disvalue , the harmful . ( b ) Ethics , the pursuit of universal ends . Value : the morally good ; disvalue , the mor- ally evil . These divisions are ...
Pagina 444
... activity . But activity is that in which I experience an expenditure of force . This activity is in its nature an activity of will . It is striving or purpose in movement . • • 99 The presupposition of the act of empathy is apperceptive ...
... activity . But activity is that in which I experience an expenditure of force . This activity is in its nature an activity of will . It is striving or purpose in movement . • • 99 The presupposition of the act of empathy is apperceptive ...
Pagina 445
... activity proceeds without inner friction . It is the conscious symptom of the free accord between the outward stimulus and my inner activity . " But in the second case there arises a conflict between my natural effort of self - exercise ...
... activity proceeds without inner friction . It is the conscious symptom of the free accord between the outward stimulus and my inner activity . " But in the second case there arises a conflict between my natural effort of self - exercise ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words