A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 48
... actual life by the absence of responsive action . Now this responsive action implies in actual life moral responsibility . In art we have no such moral responsibility - it presents a life freed from the binding necessities of our actual ...
... actual life by the absence of responsive action . Now this responsive action implies in actual life moral responsibility . In art we have no such moral responsibility - it presents a life freed from the binding necessities of our actual ...
Pagina 49
... actual life by its relation to the imaginative , justify nature by its likeness to art . I mean this , that since the imaginative life comes in the course of time to represent more or less what mankind feels to be the completest ex ...
... actual life by its relation to the imaginative , justify nature by its likeness to art . I mean this , that since the imaginative life comes in the course of time to represent more or less what mankind feels to be the completest ex ...
Pagina 425
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per ...
... actual lighting , can occasionally produce the impression of actual presence which is a far from pleas- ant , though fortunately only a passing , illusion . For deco- rative purposes , in pictorial renderings of vistas , garden - per ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words