A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 170
... appear in dream . It is " repressed . " Only the arbitrary symbols , apparently unconnected , appear in the consciousness . But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content ...
... appear in dream . It is " repressed . " Only the arbitrary symbols , apparently unconnected , appear in the consciousness . But this affective basis is the " reasoning " of the dream , and directs its course . It is the latent content ...
Pagina 235
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
... appear several times in the pages here reproduced , is made clear by the following quotation from the Preface to his book : " I must appear unfortunate in having laid so much stress on ' feeling , ' just when high authorities are ...
Pagina 429
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
... appear " pretty " to them when the real landscape portrayed in it deserves , because of its love- liness or sentimental appeal , to be visited on some excursion . This means that for the majority of people esthetic pleas- ure is not a ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words