A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 110
... appears with the other at the same instant , because they are not two , but one . The principal reason which makes our view appear para- doxical as we maintain it , is the illusion or prejudice that we possess a more complete intuition ...
... appears with the other at the same instant , because they are not two , but one . The principal reason which makes our view appear para- doxical as we maintain it , is the illusion or prejudice that we possess a more complete intuition ...
Pagina 255
... appears to be our good fortune to live in a time when men have pene- trated far enough into the nature of logic to ... appear only as qualitied . We keep " quality " as a DAVID WIGHT PRALL 255.
... appears to be our good fortune to live in a time when men have pene- trated far enough into the nature of logic to ... appear only as qualitied . We keep " quality " as a DAVID WIGHT PRALL 255.
Pagina 399
... appear in the system of causes and effects . To be trained to the understanding of this highest truth it is not ... appears in nature and life or in the rendering of the artist and poet . The landscape which the painter gives us on ...
... appear in the system of causes and effects . To be trained to the understanding of this highest truth it is not ... appears in nature and life or in the rendering of the artist and poet . The landscape which the painter gives us on ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words