A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 376
... artists , at least as technical " manners ” or traits , can facilitate artistic responses to stimuli . They can constitute mechanisms of action ready to cope with creative impulses , and they can enable the artist to ride the crest of ...
... artists , at least as technical " manners ” or traits , can facilitate artistic responses to stimuli . They can constitute mechanisms of action ready to cope with creative impulses , and they can enable the artist to ride the crest of ...
Pagina 376
... artists , at least as technical " manners ” or traits , can facilitate artistic responses to stimuli . They can constitute mechanisms of action ready to cope with creative impulses , and they can enable the artist to ride the crest of ...
... artists , at least as technical " manners ” or traits , can facilitate artistic responses to stimuli . They can constitute mechanisms of action ready to cope with creative impulses , and they can enable the artist to ride the crest of ...
Pagina 397
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
... artist of to - day does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole