A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 36
... aspect , and man in his originating activity can only slavishly follow the models provided by Nature . He is not , so far as that aspect of art is concerned , a creator but merely an imitator . But art has its subjective aspect , and ...
... aspect , and man in his originating activity can only slavishly follow the models provided by Nature . He is not , so far as that aspect of art is concerned , a creator but merely an imitator . But art has its subjective aspect , and ...
Pagina 116
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
Pagina 471
... aspects , the historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative ...
... aspects , the historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words