A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 116
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
... aspect of our feelings , that aspect which speech has set down once for all because it is almost the same , in the same conditions , for all men . Thus , even in our own individual , individuality escapes our ken . We move amidst ...
Pagina 347
... aspect of form ; and you may pursue interesting discus- sions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repeti- tion of that ...
... aspect of form ; and you may pursue interesting discus- sions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repeti- tion of that ...
Pagina 471
... aspects , the historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative ...
... aspects , the historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole