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Pagina 36
But art has its subjective aspect , and the question we are now asking is whether , in that subjective aspect , it amounts to more than a reflection of the idiosyncrasies of each individual temperament . Briefly , is there a subjective ...
But art has its subjective aspect , and the question we are now asking is whether , in that subjective aspect , it amounts to more than a reflection of the idiosyncrasies of each individual temperament . Briefly , is there a subjective ...
Pagina 116
Not only external objects , but even our own mental states , are screened from us in their inmost , their personal aspect , in the original life they possess . When we feel love or hatred , when we are gay or sad , is it really the ...
Not only external objects , but even our own mental states , are screened from us in their inmost , their personal aspect , in the original life they possess . When we feel love or hatred , when we are gay or sad , is it really the ...
Pagina 471
Criticism has therefore three aspects , the historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character ...
Criticism has therefore three aspects , the historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |