Dall'interno del libro
Risultati 1-3 di 55
Pagina 36
But art has its subjective aspect, and the question we are now asking is whether,
in that subjective aspect, it amounts to more than a reflection of the idiosyncrasies
of each individual temperament. Briefly, is there a subjective state of esthetic ...
But art has its subjective aspect, and the question we are now asking is whether,
in that subjective aspect, it amounts to more than a reflection of the idiosyncrasies
of each individual temperament. Briefly, is there a subjective state of esthetic ...
Pagina 116
beneath the necessities that brought the word into existence. Not only external
objects, but even our own mental states, are screened from us in their inmost,
their personal aspect, in the original life they possess. When we feel love or
hatred, ...
beneath the necessities that brought the word into existence. Not only external
objects, but even our own mental states, are screened from us in their inmost,
their personal aspect, in the original life they possess. When we feel love or
hatred, ...
Pagina 471
Criticism has therefore three aspects, the historical, the re-creative, and the
judicial. Each aspect relates itself to a corresponding aspect of the work of art
itself—historical criticism, to the work's historical character and orientation; re-
creative ...
Criticism has therefore three aspects, the historical, the re-creative, and the
judicial. Each aspect relates itself to a corresponding aspect of the work of art
itself—historical criticism, to the work's historical character and orientation; re-
creative ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |