A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 159
... association is to the resulting structure . Poetic writing is concerned with mak- ing the emotional associations either exclude or reinforce each other , without a prior reference to a coherent piece of reality , e.g. , in novel ...
... association is to the resulting structure . Poetic writing is concerned with mak- ing the emotional associations either exclude or reinforce each other , without a prior reference to a coherent piece of reality , e.g. , in novel ...
Pagina 171
... associations will rise vaguely to the mind . In a simple word like " spring " there are hundreds of them ; of green- ness , of youth , of fountains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations ...
... associations will rise vaguely to the mind . In a simple word like " spring " there are hundreds of them ; of green- ness , of youth , of fountains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations ...
Pagina 173
... associations used by poetry are of many forms . Sometimes they are sound associations , and then we call the line " musical " -not that the language is specially harmonious ; to a foreigner it would probably have no particular verbal ...
... associations used by poetry are of many forms . Sometimes they are sound associations , and then we call the line " musical " -not that the language is specially harmonious ; to a foreigner it would probably have no particular verbal ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words