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Pagina 159
One word has many affective associations because it has many “ meanings ” (
e.g. , the word " brute " can mean a foolish ... pieces of reality are excluded except
the piece required , and the emotional association is to the resulting structure .
One word has many affective associations because it has many “ meanings ” (
e.g. , the word " brute " can mean a foolish ... pieces of reality are excluded except
the piece required , and the emotional association is to the resulting structure .
Pagina 171
In any association of ideas two images are tied to each other by something
different , like sticks by a cord . ... analyst asked his patient to concentrate on any
particular image of a dream , a number of associations will rise vaguely to the
mind .
In any association of ideas two images are tied to each other by something
different , like sticks by a cord . ... analyst asked his patient to concentrate on any
particular image of a dream , a number of associations will rise vaguely to the
mind .
Pagina 173
The paraphrase Slumber , that unties worry , which is like a piece of tangled
knitting , carries over most of the manifest content , but the affective tones which
lurked in the associations of the words used have vanished . It is like a conjuring
trick .
The paraphrase Slumber , that unties worry , which is like a piece of tangled
knitting , carries over most of the manifest content , but the affective tones which
lurked in the associations of the words used have vanished . It is like a conjuring
trick .
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |