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Pagina 159
One word has many affective associations because it has many “ meanings ” ( e.g. , the word “ brute ” can mean a ... of reality are excluded except the piece required , and the emotional association is to the resulting structure .
One word has many affective associations because it has many “ meanings ” ( e.g. , the word “ brute ” can mean a ... of reality are excluded except the piece required , and the emotional association is to the resulting structure .
Pagina 171
In any association of ideas two images are tied to each other by something different , like sticks by a cord . ... his patient to concentrate on any particular image of a dream , a number of associations will rise vaguely to the mind .
In any association of ideas two images are tied to each other by something different , like sticks by a cord . ... his patient to concentrate on any particular image of a dream , a number of associations will rise vaguely to the mind .
Pagina 173
The paraphrase Slumber , that unties worry , which is like a piece of tangled knitting carries over most of the manifest content , but the affective tones which lurked in the associations of the words used have vanished .
The paraphrase Slumber , that unties worry , which is like a piece of tangled knitting carries over most of the manifest content , but the affective tones which lurked in the associations of the words used have vanished .
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |