A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 243
... attitude , and the impos- sibility of separating one factor of it from another . And it is the same question as that stated in other words , how a feeling can be got into an object . This is the central problem of the esthetic attitude ...
... attitude , and the impos- sibility of separating one factor of it from another . And it is the same question as that stated in other words , how a feeling can be got into an object . This is the central problem of the esthetic attitude ...
Pagina 285
... attitudes with which poetry is concerned are indescribab --because psychology is still in a primitive stage - and can only be named or spoken about as the attitude of this poem or that . The poem , the actual experience as it forms ...
... attitudes with which poetry is concerned are indescribab --because psychology is still in a primitive stage - and can only be named or spoken about as the attitude of this poem or that . The poem , the actual experience as it forms ...
Pagina 382
... attitude . Since the publication of Kant's Critique of Judgment , disinterestedness ( which of course is not uninterestedness ) has been commonly recognized as characteristic of the esthetic attitude . The object of an " entirely ...
... attitude . Since the publication of Kant's Critique of Judgment , disinterestedness ( which of course is not uninterestedness ) has been commonly recognized as characteristic of the esthetic attitude . The object of an " entirely ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words