A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 284
... attitudes of this reader must be such as could not have been written in another age than our own . It must have sprung in part from the contemporary situation . It must correspond to needs , impulses , attitudes , which did not arise in ...
... attitudes of this reader must be such as could not have been written in another age than our own . It must have sprung in part from the contemporary situation . It must correspond to needs , impulses , attitudes , which did not arise in ...
Pagina 285
... attitudes suit us , engaged as we also are in the same enterprise . Although we cannot - for lack of a sufficient psychology -describe attitudes in terms which do not apply also to others which we are not considering , and although we ...
... attitudes suit us , engaged as we also are in the same enterprise . Although we cannot - for lack of a sufficient psychology -describe attitudes in terms which do not apply also to others which we are not considering , and although we ...
Pagina 297
... attitudes , which is the personality , all its worth depends . This is true equally for the subtle , finely compounded attitudes of the civilized individual as for the simpler atti- tudes of the child . In brief , experience is its own ...
... attitudes , which is the personality , all its worth depends . This is true equally for the subtle , finely compounded attitudes of the civilized individual as for the simpler atti- tudes of the child . In brief , experience is its own ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words