A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 361
... balance . Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
... balance . Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue ...
Pagina 364
... balance -between the rising and falling swings . The simplest re- peat , if you take its elements in succession , is ... balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance so ...
... balance -between the rising and falling swings . The simplest re- peat , if you take its elements in succession , is ... balance seems to be replaced by rhythm , balance is still present , only it is not the simple type of balance so ...
Pagina 367
... balance and thematic variation . The static character of balance is opposed to the dynamic character of evolution ; indeed , all movement depends upon the up- setting of an established equilibrium . Yet seldom , even in the static arts ...
... balance and thematic variation . The static character of balance is opposed to the dynamic character of evolution ; indeed , all movement depends upon the up- setting of an established equilibrium . Yet seldom , even in the static arts ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words