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Pagina 361
Another principle of esthetic form is balance. Balance is equality of opposing or
contrasting elements. Balance is one kind of esthetic unity, for despite the
opposition of the elements in balance, each needs the other and together they
create a ...
Another principle of esthetic form is balance. Balance is equality of opposing or
contrasting elements. Balance is one kind of esthetic unity, for despite the
opposition of the elements in balance, each needs the other and together they
create a ...
Pagina 364
In the diaper pattern, for example, there is the recurrence of the rising and falling
lines, and their opposition and balance, two by two. Or a colonnade, as you
apprehend the columns in succession, is a rhythm of identical and balancing
filled ...
In the diaper pattern, for example, there is the recurrence of the rising and falling
lines, and their opposition and balance, two by two. Or a colonnade, as you
apprehend the columns in succession, is a rhythm of identical and balancing
filled ...
Pagina 367
Closeness of connection, yet ultimate difference, marks the relation between
evolution and the other types of esthetic unity, balance and thematic variation.
The static character of balance is opposed to the dynamic character of evolution;
...
Closeness of connection, yet ultimate difference, marks the relation between
evolution and the other types of esthetic unity, balance and thematic variation.
The static character of balance is opposed to the dynamic character of evolution;
...
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abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words