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Pagina 70
In order to become emotional they must become parts of an inclusive and
enduring situation that involves concern for objects and their issues . The jump of
fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
In order to become emotional they must become parts of an inclusive and
enduring situation that involves concern for objects and their issues . The jump of
fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
Pagina 254
Space and time have become purely formal as we have realized their
abstractness in systematic analysis . There are no real but only nominal elements
of space and time . But it takes takes very little meditation on the nature of pitch
and hue to ...
Space and time have become purely formal as we have realized their
abstractness in systematic analysis . There are no real but only nominal elements
of space and time . But it takes takes very little meditation on the nature of pitch
and hue to ...
Pagina 441
Above all , it is good not to become indignant or shout . ... a living organ of our
very being ; as long as we enjoy plenitude , the horizon migrates , it becomes
widened , it undulates elastically almost to the rhythm of our respiration . On the
other ...
Above all , it is good not to become indignant or shout . ... a living organ of our
very being ; as long as we enjoy plenitude , the horizon migrates , it becomes
widened , it undulates elastically almost to the rhythm of our respiration . On the
other ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |