A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 70
... become emo- tional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
... become emo- tional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
Pagina 254
... become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become purely formal as we have realized their abstractness in systematic ...
... become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become purely formal as we have realized their abstractness in systematic ...
Pagina 441
... become indignant or shout . . . . Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elasti- cally almost to the rhythm of our respiration . On the other hand , when the ...
... become indignant or shout . . . . Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elasti- cally almost to the rhythm of our respiration . On the other hand , when the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole