A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 140
... called " eccentric , " that seem to stand in marked con- tradiction to the typical daydream ; in these the person introduced as the hero plays the least active part of any- one , and seems instead to let the actions and sufferings of ...
... called " eccentric , " that seem to stand in marked con- tradiction to the typical daydream ; in these the person introduced as the hero plays the least active part of any- one , and seems instead to let the actions and sufferings of ...
Pagina 246
... called the connexity of the relation . A relation is said to have connexity when between any two elements of the field whatever this relation holds . Now all sounds have pitch , and every distinct pitch is either above or below any ...
... called the connexity of the relation . A relation is said to have connexity when between any two elements of the field whatever this relation holds . Now all sounds have pitch , and every distinct pitch is either above or below any ...
Pagina 343
... called its form . Subject is the opposite not of form but of the whole poem . Substance is within the poem , and its opposite , form , is also within poem . I am not criticizing this antithesis at present , but evidently it is quite ...
... called its form . Subject is the opposite not of form but of the whole poem . Substance is within the poem , and its opposite , form , is also within poem . I am not criticizing this antithesis at present , but evidently it is quite ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words