A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 169
... cause . But we felt little real emotion in the dream , however surprising the adventures that befell us . If we felt emotion , it was out of all real proportion to our adventures . Surprising things happened and we were not surprised ...
... cause . But we felt little real emotion in the dream , however surprising the adventures that befell us . If we felt emotion , it was out of all real proportion to our adventures . Surprising things happened and we were not surprised ...
Pagina 398
... cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in ...
... cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in ...
Pagina 538
... cause of Art has something else to appeal to ; no less than the hope of the people for the happy life which has not yet been granted to them . There is our hope : the cause of Art is the cause of the people . Think of a piece of history ...
... cause of Art has something else to appeal to ; no less than the hope of the people for the happy life which has not yet been granted to them . There is our hope : the cause of Art is the cause of the people . Think of a piece of history ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words