A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 388
... causes of subsequent effects . Description and explanation are thus assumed to cover the whole ground of physical and psychological researches , and if all is described in its ele- ments and explained by its causes , we then know the ...
... causes of subsequent effects . Description and explanation are thus assumed to cover the whole ground of physical and psychological researches , and if all is described in its ele- ments and explained by its causes , we then know the ...
Pagina 392
... causes and its effects ; the thing itself with all its richness and all its meanings to the human mind , and not the substitution which the scientist proposes for the explanation of future events . The thing itself is not its past or ...
... causes and its effects ; the thing itself with all its richness and all its meanings to the human mind , and not the substitution which the scientist proposes for the explanation of future events . The thing itself is not its past or ...
Pagina 397
... causes were connected with what effects . No other kind of truth can help us for this end ; what can be the use of sinking with our mind into an isolated object , which by its isolation is separated from its causes and effects if we ...
... causes were connected with what effects . No other kind of truth can help us for this end ; what can be the use of sinking with our mind into an isolated object , which by its isolation is separated from its causes and effects if we ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words