A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 122
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 406
... character . ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its original ...
... character . ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its original ...
Pagina 406
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words