A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 252
... characteristic without reference ex- plicitly to any scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly indicates its place there , provided we attend to its ...
... characteristic without reference ex- plicitly to any scheme . But the ordinary scheme definitely includes it , and its name , instead of removing it from the scheme , fairly indicates its place there , provided we attend to its ...
Pagina 382
... characteristic of the esthetic attitude . The object of an " entirely disinterested satisfaction , " declared Kant ... characteristics of the object . 1 Distance , being a matter of degree , varies according to two different sets of ...
... characteristic of the esthetic attitude . The object of an " entirely disinterested satisfaction , " declared Kant ... characteristics of the object . 1 Distance , being a matter of degree , varies according to two different sets of ...
Pagina 384
... characteristic of Primitive , Egyptian , Byzantine , Gothic , and Oriental art , and also the " dehumanized " contemporary art discussed by Ortega . On the other hand , empathy is more characteristic of late Greco - Roman , Renaissance ...
... characteristic of Primitive , Egyptian , Byzantine , Gothic , and Oriental art , and also the " dehumanized " contemporary art discussed by Ortega . On the other hand , empathy is more characteristic of late Greco - Roman , Renaissance ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words