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Pagina 32
esthetic relation to color is simply this: that we enter intuitively into the nature of
the color, appreciate its depth, or warmth, or tonality— that is to say, its objective
qualities —and then proceed to identify these qualities with our emotions.4 ...
esthetic relation to color is simply this: that we enter intuitively into the nature of
the color, appreciate its depth, or warmth, or tonality— that is to say, its objective
qualities —and then proceed to identify these qualities with our emotions.4 ...
Pagina 251
For all that we wish to establish is that every color variation is to be found
somewhere in the scheme, and that therefore every color variation lies at a
determinately felt distance from others along any single dimension chosen. But it
will be clear ...
For all that we wish to establish is that every color variation is to be found
somewhere in the scheme, and that therefore every color variation lies at a
determinately felt distance from others along any single dimension chosen. But it
will be clear ...
Pagina 256
We keep "quality" as a term for the very purpose of distinguishing such aspects of
color and sound from extensional aspects whether spatial or temporal. Why, then,
are the qualitative orders any more intrinsic to sound and color than spatial or ...
We keep "quality" as a term for the very purpose of distinguishing such aspects of
color and sound from extensional aspects whether spatial or temporal. Why, then,
are the qualitative orders any more intrinsic to sound and color than spatial or ...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |