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Pagina 31
Color is the superficial aspect of form . Nevertheless , color has a very important
part to play in art , because it has a very direct effect on our senses . The range of
colors , indeed , might be placed in a series to correspond with the range of our ...
Color is the superficial aspect of form . Nevertheless , color has a very important
part to play in art , because it has a very direct effect on our senses . The range of
colors , indeed , might be placed in a series to correspond with the range of our ...
Pagina 32
esthetic relation to color is simply this : that we enter intuitively into the nature of
the color , appreciate its depth , or warmth , or tonality — that is to say , its
objective qualities -and then proceed to identify these qualities with our emotions
.
esthetic relation to color is simply this : that we enter intuitively into the nature of
the color , appreciate its depth , or warmth , or tonality — that is to say , its
objective qualities -and then proceed to identify these qualities with our emotions
.
Pagina 251
For all that we wish to establish is that every color variation is to be found
somewhere in the scheme , and that therefore every color variation lies at a
determinately felt distance from others along any single dimension chosen . But it
will be ...
For all that we wish to establish is that every color variation is to be found
somewhere in the scheme , and that therefore every color variation lies at a
determinately felt distance from others along any single dimension chosen . But it
will be ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |