A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 31
... color , but color has also its psycho- logical aspects . Some people like or dislike colors because they associate them with their general likes or dislikes- they like green because they associate it with springtime , or blue because it ...
... color , but color has also its psycho- logical aspects . Some people like or dislike colors because they associate them with their general likes or dislikes- they like green because they associate it with springtime , or blue because it ...
Pagina 32
... color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is according to whether they make a harmony or a discord ...
... color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is according to whether they make a harmony or a discord ...
Pagina 251
... color variations is guided by relations peculiar to color and not strictly parallel to the relations that make up musi- cal scales . For in color , although hue is perhaps funda- mentally characteristic , variations in hue are no more ...
... color variations is guided by relations peculiar to color and not strictly parallel to the relations that make up musi- cal scales . For in color , although hue is perhaps funda- mentally characteristic , variations in hue are no more ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words