A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 164
... common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in adapted man . Hence the importance of physi- ological introversion in poetry . This genotype is undifferentiated because it is ...
... common part of man's consciousness . It is an approach to the secret unchanging core of the genotype in adapted man . Hence the importance of physi- ological introversion in poetry . This genotype is undifferentiated because it is ...
Pagina 319
... common and peculiar to all the works of visual art that move me ; and I will ask those whose esthetic experience does not tally with mine to see whether this quality is not also , in their judgment , common to all works that move them ...
... common and peculiar to all the works of visual art that move me ; and I will ask those whose esthetic experience does not tally with mine to see whether this quality is not also , in their judgment , common to all works that move them ...
Pagina 437
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words