A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 241
... complete without minds , but minds , again , are not complete with- out things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of ...
... complete without minds , but minds , again , are not complete with- out things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of ...
Pagina 392
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
Pagina 392
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
... complete isolation ; for the subject , it means complete repose in the object , and that is complete satisfaction with the object ; and that is , finally , merely another name for the enjoyment of beauty . To isolate the object for the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole