A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 104
... concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say ...
... concept of unity , in order to express this distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say ...
Pagina 383
... concept of " dehumanization " is closely related to the concept of " abstraction " formulated by WILHELM WORRINGER ( 1881- ) , an important German art his- torian . Worringer takes as his point of departure the contrast between ...
... concept of " dehumanization " is closely related to the concept of " abstraction " formulated by WILHELM WORRINGER ( 1881- ) , an important German art his- torian . Worringer takes as his point of departure the contrast between ...
Pagina 504
... concept in philosophy . The concept of situa- tions , he writes , " enables us to understand how values are 1 The Journal of Philosophy , XLI ( 1944 ) , 337-360 . objective , as common men believe them to be , 504 Stephen C Pepper ...
... concept in philosophy . The concept of situa- tions , he writes , " enables us to understand how values are 1 The Journal of Philosophy , XLI ( 1944 ) , 337-360 . objective , as common men believe them to be , 504 Stephen C Pepper ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words