A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 90
... conception . Value : the true ; disvalue : the false . 2. Doing , or Practical Activity ( a ) “ Economics , ” the pursuit of individual ends . Value : the useful ; disvalue , the harmful . ( b ) Ethics , the pursuit of universal ends ...
... conception . Value : the true ; disvalue : the false . 2. Doing , or Practical Activity ( a ) “ Economics , ” the pursuit of individual ends . Value : the useful ; disvalue , the harmful . ( b ) Ethics , the pursuit of universal ends ...
Pagina 218
... conception of the structure of objects lead us gradually to reduce the qualities of the object to a minimum , and to ... conceive to belong to real objects are for the most part images of sight and touch . One of the first classes of ...
... conception of the structure of objects lead us gradually to reduce the qualities of the object to a minimum , and to ... conceive to belong to real objects are for the most part images of sight and touch . One of the first classes of ...
Pagina 417
... conception . Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a ...
... conception . Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words