A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 390
... connections the " elements . " It may be said the only mean- ing of all knowledge , description and explanation , is the search for the connection of things - when the world has become to the human intellect a connected whole , the goal ...
... connections the " elements . " It may be said the only mean- ing of all knowledge , description and explanation , is the search for the connection of things - when the world has become to the human intellect a connected whole , the goal ...
Pagina 391
... connections with the human efforts of the past , their causes and effects , their relations to all the institutions ... connection has been an assist- ance in the world of men and things , of nature and civiliza- tion in which we live ...
... connections with the human efforts of the past , their causes and effects , their relations to all the institutions ... connection has been an assist- ance in the world of men and things , of nature and civiliza- tion in which we live ...
Pagina 393
... connected things nor a series of isolated objects . To produce a connected system or to have an object isolated , and ... connection , and thus to present them to our mind just as they really are in themselves . Wherever nature gives us ...
... connected things nor a series of isolated objects . To produce a connected system or to have an object isolated , and ... connection , and thus to present them to our mind just as they really are in themselves . Wherever nature gives us ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words