Dall'interno del libro
Risultati 1-3 di 39
Pagina xxii
Esthetic contemplation, which is described in the present volume in such terms
as "isolation," "psychical distance," "empathy," and "abstraction," can be more
simply characterized as receptivity to the values expressed by, or embodied in,
the ...
Esthetic contemplation, which is described in the present volume in such terms
as "isolation," "psychical distance," "empathy," and "abstraction," can be more
simply characterized as receptivity to the values expressed by, or embodied in,
the ...
Pagina 482
Conscious objectification of feeling, as defined by that test, may therefore be
termed private or individual objectification, as distinguished from social
objectification, the test of which would be the object's capacity to impart in
contemplation the ...
Conscious objectification of feeling, as defined by that test, may therefore be
termed private or individual objectification, as distinguished from social
objectification, the test of which would be the object's capacity to impart in
contemplation the ...
Pagina 498
The value other than esthetic that esthetic feelings may have depends upon the
fact that if, when a feeling has been obtained through esthetic contemplation, the
esthetic attitude is then given up and replaced by the practical, that which had up
...
The value other than esthetic that esthetic feelings may have depends upon the
fact that if, when a feeling has been obtained through esthetic contemplation, the
esthetic attitude is then given up and replaced by the practical, that which had up
...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words