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Pagina 459
Common parlance speaks pertinently of a losing of the self in the contemplation
of a work of art . Thus in this sense it cannot be too strongly emphasized that all
esthetic enjoyment , as perhaps even all human feeling of happiness in general ...
Common parlance speaks pertinently of a losing of the self in the contemplation
of a work of art . Thus in this sense it cannot be too strongly emphasized that all
esthetic enjoyment , as perhaps even all human feeling of happiness in general ...
Pagina 459
Common parlance speaks pertinently of a losing of the self in the contemplation
of a work of art . Thus in this sense it cannot be too strongly emphasized that all
esthetic enjoyment , as perhaps even all human feeling of happiness in general ...
Common parlance speaks pertinently of a losing of the self in the contemplation
of a work of art . Thus in this sense it cannot be too strongly emphasized that all
esthetic enjoyment , as perhaps even all human feeling of happiness in general ...
Pagina 498
The value other than esthetic that esthetic feelings may have depends upon the
fact that if , when a feeling has been obtained through esthetic contemplation ,
the esthetic attitude is then given up and replaced by the practical , that which
had ...
The value other than esthetic that esthetic feelings may have depends upon the
fact that if , when a feeling has been obtained through esthetic contemplation ,
the esthetic attitude is then given up and replaced by the practical , that which
had ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |