A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 163
... course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . More- over his normality is , so to speak , the norm of ...
... course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . More- over his normality is , so to speak , the norm of ...
Pagina 292
... course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not and , at present , cannot ...
... course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not and , at present , cannot ...
Pagina 394
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words