A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 163
... course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . More- over his normality is , so to speak , the norm of ...
... course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . More- over his normality is , so to speak , the norm of ...
Pagina 292
... course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not and , at present , cannot ...
... course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not and , at present , cannot ...
Pagina 394
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
... course , the painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole