A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina xxxiii
... created or elaborated in the very act of creation . What distinguishes an artist from an ordinary person is very largely his ability to imagine some new concrete variation of the old abstract theme . About two thirds of the poems in the ...
... created or elaborated in the very act of creation . What distinguishes an artist from an ordinary person is very largely his ability to imagine some new concrete variation of the old abstract theme . About two thirds of the poems in the ...
Pagina 476
... created and enjoyed . " JI Artistic Style , Perfection , Truth , and Greatness The style of a work of art is a ... creation and enjoyment . But such a distinction between the layman and the critic would , if pressed , radically distort ...
... created and enjoyed . " JI Artistic Style , Perfection , Truth , and Greatness The style of a work of art is a ... creation and enjoyment . But such a distinction between the layman and the critic would , if pressed , radically distort ...
Pagina 483
... created is quite a different thing from finding it beautiful . The pleasure which such approval does express is pleasure found , not in the feeling objectified by the work ( which would be what would constitute the work of art beautiful ) ...
... created is quite a different thing from finding it beautiful . The pleasure which such approval does express is pleasure found , not in the feeling objectified by the work ( which would be what would constitute the work of art beautiful ) ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words