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Pagina 466
Criticism 1. THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of Criticism . From The Phi- losophy of Art . 3. STEPHEN C. PEPPER : Contextualistic ...
Criticism 1. THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of Criticism . From The Phi- losophy of Art . 3. STEPHEN C. PEPPER : Contextualistic ...
Pagina 466
Criticism 1. THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of Criticism . From The Phi- losophy of Art . 3. STEPHEN C. PEPPER : Contextualistic ...
Criticism 1. THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of Criticism . From The Phi- losophy of Art . 3. STEPHEN C. PEPPER : Contextualistic ...
Pagina 593
Kaplan , Abraham , " On the So - Called Crisis in Criticism , " journal of Aesthetics , Vol . 8 ( 1948 ) , pp . 42-48 . Levin , Harry ( editor ) , Perspectives of Criticism , Cambridge , Mass . , 1950 . Lewis , C. I. , An Analysis of ...
Kaplan , Abraham , " On the So - Called Crisis in Criticism , " journal of Aesthetics , Vol . 8 ( 1948 ) , pp . 42-48 . Levin , Harry ( editor ) , Perspectives of Criticism , Cambridge , Mass . , 1950 . Lewis , C. I. , An Analysis of ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole