A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 108
... definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have mentioned already , and which , all of them , designate the intuition ... defined when it is simply defined as 108 INTUITION.
... definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have mentioned already , and which , all of them , designate the intuition ... defined when it is simply defined as 108 INTUITION.
Pagina 185
... definition . ( 2 ) Art is the ex- ternal manifestation , by means of lines , colors , movements , sounds , or words , of emotions felt by man ( Véron ) . This is the experimental definition . According to the very latest definition ...
... definition . ( 2 ) Art is the ex- ternal manifestation , by means of lines , colors , movements , sounds , or words , of emotions felt by man ( Véron ) . This is the experimental definition . According to the very latest definition ...
Pagina 193
... definition that should really define must be nothing less than the exposition of the origin , place , and elements of beauty as an object of human experience . We must learn from it , as far as possible , why , when , and how beauty ...
... definition that should really define must be nothing less than the exposition of the origin , place , and elements of beauty as an object of human experience . We must learn from it , as far as possible , why , when , and how beauty ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words