A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 185
... definitions to the metaphysical definitions which depended on the con- ception of beauty , they are yet far from exact . ( 1a ) The first , the physiological - evolutionary definition , is inexact , because , instead of speaking about ...
... definitions to the metaphysical definitions which depended on the con- ception of beauty , they are yet far from exact . ( 1a ) The first , the physiological - evolutionary definition , is inexact , because , instead of speaking about ...
Pagina 186
... definition ( 2 ) , which makes art con- sist in the expression of emotions , is inexact , because a man may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such expres- sion ; and ...
... definition ( 2 ) , which makes art con- sist in the expression of emotions , is inexact , because a man may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such expres- sion ; and ...
Pagina 193
... definition that should really define must be nothing less than the exposition of the origin , place , and elements of beauty as an object of human experience . We must learn from it , as far as possible , why , when , and how beauty ...
... definition that should really define must be nothing less than the exposition of the origin , place , and elements of beauty as an object of human experience . We must learn from it , as far as possible , why , when , and how beauty ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole