A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 272
... describe musical experiences ; words are not equal to this task . For , while music is not isolated , it is unique , and what it means to us is quite incapable of being stated in words or in any other medium than just the music itself ...
... describe musical experiences ; words are not equal to this task . For , while music is not isolated , it is unique , and what it means to us is quite incapable of being stated in words or in any other medium than just the music itself ...
Pagina 273
... describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only crude " portmanteau - words " which do not even approximately describe the experience . Its inability to describe ...
... describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only crude " portmanteau - words " which do not even approximately describe the experience . Its inability to describe ...
Pagina 280
... describing the music because of some felt correspondence between it and the emotion of daily life . There is a recognizable similarity , yet when we want to describe our musical experience , the words used in doing it seem even more ...
... describing the music because of some felt correspondence between it and the emotion of daily life . There is a recognizable similarity , yet when we want to describe our musical experience , the words used in doing it seem even more ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words