A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 194
... described , is seldom so perceived , and all the greatest excellences of nature and art are so far from being approved of by a rule that they themselves furnish the standard and ideal by which critics measure inferior effects . This age ...
... described , is seldom so perceived , and all the greatest excellences of nature and art are so far from being approved of by a rule that they themselves furnish the standard and ideal by which critics measure inferior effects . This age ...
Pagina 285
... described as the Neutralization of Nature , the transference from the Magi- cal View of the world to the scientific , a change so great that it is perhaps only paralleled historically by the change , from whatever adumbration of a world ...
... described as the Neutralization of Nature , the transference from the Magi- cal View of the world to the scientific , a change so great that it is perhaps only paralleled historically by the change , from whatever adumbration of a world ...
Pagina 343
... described as its substance , and may then be contrasted with the measured language of the poem , which will be called its form . Subject is the opposite not of form but of the whole poem . Substance is within the poem , and its opposite ...
... described as its substance , and may then be contrasted with the measured language of the poem , which will be called its form . Subject is the opposite not of form but of the whole poem . Substance is within the poem , and its opposite ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words