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Pagina 194
Beauty , although often so described , is seldom so perceived , and all the greatest excellences of nature and art are so far from being approved of by a rule that they themselves furnish the standard and ideal by which critics measure ...
Beauty , although often so described , is seldom so perceived , and all the greatest excellences of nature and art are so far from being approved of by a rule that they themselves furnish the standard and ideal by which critics measure ...
Pagina 285
The central dominant change may be described as the Neutralization of Nature , the transference from the Magical View of the world to the scientific , a change so great that it is perhaps only paralleled historically by the change ...
The central dominant change may be described as the Neutralization of Nature , the transference from the Magical View of the world to the scientific , a change so great that it is perhaps only paralleled historically by the change ...
Pagina 343
These , with much more of the same kind , may be described as its substance , and may then be contrasted with the measured language of the poem , which will be called its form . Subject is the opposite not of form but of the whole poem ...
These , with much more of the same kind , may be described as its substance , and may then be contrasted with the measured language of the poem , which will be called its form . Subject is the opposite not of form but of the whole poem ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |