A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 148
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
Pagina 198
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
Pagina 550
... direct : ornament flourished in the utilities of life , flour- ished often perversely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers : they are as direct and ...
... direct : ornament flourished in the utilities of life , flour- ished often perversely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers : they are as direct and ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words