A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 148
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
Pagina 198
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
Pagina 550
... direct : ornament flourished in the utilities of life , flour- ished often perversely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers : they are as direct and ...
... direct : ornament flourished in the utilities of life , flour- ished often perversely and extravagantly , but one looks for it in vain among the machines pictured by Agricola or Besson or the Italian engineers : they are as direct and ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole